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Community Connections > Community Collaboration
A Community Sets Standards Around the Table
Type: Example from Schools
Author(s): Kathleen Cushman
Source: Performance. #7. June 1994
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June, 1994 - No. 7
UNIVERSITY HEIGHTS HIGH SCHOOL
at Bronx Community College
University Ave. & West 181st St.
Bronx, NY 10453
(718) 220-6397
Nancy Mohr, Principal
400 students, 28 staff
Student population: 60% Latino,
40% African-American
New York City alternative school
Who says whether student work
is good enough to graduate? At this
school, every student must pass
a review board that meets in seven
areas
ALEXANDRA LOZANO SPOKE not a word
of English in 1983, when her family
came to New York from the Dominican
Republic. As she worked her way
through city schools, her classmates
were mostly African-American or
Latino; by her own account, she
has had few experiences outside
that community. But as she prepared
to graduate from University Heights
High School this year, Sandy arranged
a conversation about her education
among four leading social critics
of our day. Drawing from their recent
writings on racial segregation in
schools, Derrick Bell, Kenneth Clark,
Marian Wright Edelman, and Jonathan
Kozol argued out Sandy's case from
social, psychological, economic,
and political perspectives.
Well, almost. In fact, Sandy herself
wrote out the "debate,"
as part of a weeks-long group project
on whether her high school needed
greater racial diversity to best
serve its students. And besides
reading theorists like Edelman and
Clark, she and her classmates dug
through census records to graph
population trends, analyzed the
school's enrollment by zip code
and race, and wrote five legal briefs
that summarized school integration
cases from 1935 to 1955.
But Sandy still had more to prove,
if she wanted to meet University
Heights' graduation standards this
year. Assembling her work on this
and four other project-based units
in a special portfolio, she reflected
on how it could demonstrate "social
interaction and effective citizenship,"
one of seven "domains"
in which the school requires students
to show mastery. In a 3,000-word
cover letter she made her case,
calling on evidence from all five
projects; and then for three hours
she defended her conclusions before
a "Roundtable" of teachers,
relatives, peers, and community
members. Their evaluations made
up her final "grade":
Sandy passed with distinction.
An alternative public high school
on the campus of Bronx Community
College, University Heights set
out from its start, in 1986, to
put muscle behind the principle
of demonstrated mastery that underlies
the Coalition of Essential Schools
philosophy. Its students arrived
with serious truancy habits, poor
academic records, high pregnancy
rates; at best, the city hoped to
retrieve them from the streets.
But principal Nancy Mohr wanted
more: to change their educational
value system, making college acceptance
the norm for these once devalued
young people.
"Our mission was to hook them
in through academic rigor,"
she says. "Vocational courses
and a pleasant high school experience
doesn't do it for us. We prepare
kids for college."
To that end, school staff spent years
devising a program that would hold
students accountable not just for
"seat time" in class but
for demonstrating their proficiency
in a general course of study that
comprises 37 specific outcomes in
seven broad educational domains
(such as "effective expression
and communication," "critical
thinking and problem- solving,"
or "cultural and historical
involvement").
The work of all academic disciplines,
Mohr contends, is embedded in those
outcomes and in the projects that
display them. "Any specialist?an
artist, an accountant, an engineer,
an architect, a nurse, a police
officer, an athlete?should be able
to find his or her professional
areas of interest and inquiry within
each of these seven domains,"
she says. "We think of them
as Áhabits of mind' that a student
needs to develop in any class."
Who Owns the Standards?
Instead of counting up credits, University
Heights students begin early to
exhibit their work before peers
and parents and to collect it in
portfolios, building their case
for becoming seniors. From that
point, they face Roundtable reviews
roughly every two months, as soon
as they consider themselves prepared
to show mastery in each of the seven
domains. Approval rests on the consensus
of the review panel members, who
are asked to give both "warm,"
appreciative feedback and "cool,"
constructively critical assessments.
"They don't always agree,"
notes Mohr. "We're not looking
to norm these voices; we want to
look at student work through many
eyes." Teacher Paul Allison
points out the case of his student
Tyson Jones, whose grandfather criticized
a Roundtable presentation on Malcolm
X for lacking depth and detail.
"Tyson went back and did more
work," says Allison. "The
next time around it came out much
better, which he recognized with
pride."
More critical feedback comes via a
visiting review committee made up
of university and business people,
teachers from other schools, and
other outside critics. "It
helps us look at student work from
an even more objective standpoint,"
says Mohr.
University Heights governs itself
as a "just community,"
making its decisions by consensus
of all involved. Students remain
with the same academic team all
day (eight teachers and 133 students),
and they resolve guidance issues
in "family groups" of
around fifteen. A student Fairness
Committee addresses disciplinary
problems before they grow into bigger
trouble; the school last year reported
not a single "serious incident"
to its superintendent. The teaching
staff clearly likes its work as
well; no union grievances have been
filed in all eight years of this
school.
By other conventional measures, University
Heights students succeed far beyond
what their histories might predict.
Only 2.8 percent leave high school
before graduation. Parents participate
in enviable numbers; one teaching
team recently saw almost half its
students' parents in some constructive
fashion before the term reached
its midpoint. College acceptance
reached a record high in 1993, with
92 percent of the school's graduates
planning to go on, mostly to four-year
institutions. And fully 50 percent
of University Heights students?13
percent more than the citywide average?pass
the City University of New York's
entrance exams.
As one of the fourteen "partnership
schools" chosen to pilot New
York's New Compact for Learning,
University Heights plays a key role
in demonstrating how a new kind
of accountability can emerge when
each locality defines the standards
by which it measures student work.
Though all students here pass the
state Regents Competency Tests before
graduation, their real progress
continues to show in other ways?Alexandra
Lozano's legal briefs, for instance,
or Tyson Jones's second try, or
the new language in which students
describe their work (See sidebar
at left.) A credit-counting system
once bankrupted these young people;
University Heights gives them a
new currency in which to prove their
worth and make investments in their
futures.
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In
Their Own Words:
Students Describe
Their Work
University Heights
students are asked
continually to reflect
in writing on their
own work, both in
the form of cover
letters that accompany
each portfolio and
in summer workshops
on curriculum and
assessment. A few
excerpts:
"I can tell you
personally I think
the portfolio is
all right. If I take
a test and it has
ten questions and
I get two wrong and
eight right then
I'll get an 80 or
a 75 or a 60 just
like I did when I
was in the other
school. An 80 isn't
anything. But I can
write you a cover
letter and tell you
what I didn't understand
about the two I got
wrong and how I went
about finding the
answers to the eight
I got right. That
is what I learned
from this semester.
An 80 is nothing
because I could have
cheated off of the
person next to me.
In a portfolio I'm
showing you exactly
what I did to get
the 80 and that makes
my 80 original."
(Cindy Bush)
"It's a new system
and it allowed me
to express my knowledge
better to myself
and to others. There
is a lot of writing
in the portfolio
system and through
this writing I got
to tell my teachers
what I learned, how
I learned it. Through
credits I would not
have been allowed
to express myself
as clearly. Self-assessment
allows me to have
better self-esteem
because I am talking
about what I can
do. It makes me feel
great about myself?I
get to learn more
positive things about
myself all the time."
(Alexandra Lozano)
"I am very surprised
and pleased with
myself because I
have a good understanding
of past political
problems in my African
American race to
help the fight in
equality. I also
feel I have knowledge
of political aspects
and social aspects
of these cases and
the effect which
Plessy v. Ferguson
obtained." (Sherrie
Allen)
"In doing this
project I was able
to come together
and work with another
person to get something
done. I am proud
of this fact for
two reasons. The
first one is that
the finished result
was a great one.
The second is that
working with other
people to do things
is not something
that comes easily
to me." (Raquel
Salgado)
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This resource last updated: June 05, 2002
Database Information:
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Source: Performance. #7. June 1994
Publication Year: 1994
Publisher: CES National
Type: Example from Schools
School Level: All
Focus Area: Community Connections
STRAND: Community Connections: community collaboration
Assessment: Portfolios
Community Collaboration: Accountability, Communicating Goals & Strategies
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